Da Hoa Temple is also called Chinh Da Hoa Temple, located in Da Hoa village, Binh Minh commune, Khoai Chau district, Hung Yen province. Temple of Chu Dong Tu - Tien Dung - Princess Hong Van. The temple overlooks the Red River and Tu Nhien beach, and is said to be the place where the love affair between Chu Dong Tu and Tien Dung formed. Da Hoa Temple was built a long time ago, the current project was built at the end of the 19th century, from 1884 to 1886 by Chu Manh Trinh, a native of Phu Thi village, general of Me So, police officer of Hung Yen province. The project is famous for its massive scale and unique architectural ideas, in harmony with the natural landscape. The temple area includes 18 large and small projects: stele house, bell tower, banh ward, noon gate, altar house, incense burning building, second palace, third palace, harem and hermitage houses, tarpaulin houses, and houses. horses, artillery houses. The temple roofs have a stylized dragon boat shape. If you look down from above, you will see the temple roofs, combined together to look like a group of boats bobbing on the river. Chu Manh Trinh intended to shape the temple area to look like the yacht of eighteen-year-old Tien Dung, daughter of the 18th Hung King, traveling on the river. Da Hoa Temple still retains many precious relics. Statue of Saint Chu Dong Tu and his two wives cast in bronze, life-sized. Three thrones worship Chu Dong Tu and his two wives, made of wood, balanced layout, the top of the throne is carved with a dragon in the facing position. The throne dates back to the late 16th and early 17th centuries, and is considered the oldest of its kind still found in our country. Da Hoa Temple Festival is held from February 10-12 of the lunar calendar. The main day of the festival begins with a procession of tutelary gods from 8 villages of the ancient Me district to the main temple (including Me So, Da Hoa, Bang Nha, Phu Thi, Phu Trach, Thiet Tru, Nhan Thap villages). Each procession has flags, gongs and drums, precious bowls, lo bos, bowls of sounds, palanquins, bowls of tribute, dances of life, dragons, and lions. The procession of 8 villages meets each other with gongs and drums resounding, golden dragons winding from beginning to end of the procession. The next day is the water procession. The procession includes water palanquins and palanquins of 8 ancient Mexican villages taking boats to the middle of the Red River to hold a ceremony to bring water to the temple. The whole river section is filled with the bustling sounds of drums and gongs, and bustling bowl music. Da Hoa Festival organizes dragon dance, wrestling, and human flags. Dragon dance, there are 6-8 dragons. The dragon's dance movements are controlled by the person holding the ball and the sound of the mouth drum. The dragon dances around, winding rhythmically. When the drums beat slowly, the dancing is slow; when the drums beat fast, the dancing is fast and exciting. Dragons dance singly, in pairs, or all dragons in villages dance, demonstrating the skillful movements of their village's dragons. Participating in wrestling are 70-80 year old men, dressed in festival clothes, with scarlet turbans, blue shirts, yellow shirts, red and yellow belts, performing symbolic wrestling movements. This performance reminded everyone of the gratitude of Chu Dong Tu - Tien Dung for saving many people from illness and to prove that they were completely healthy, they took each other to the yard to wrestle and perform tricks for their grandparents to see. . Human flag, held at the temple yard. There are 32 troops divided into 2 factions, one male and one female. The people playing the roles of generals and chess pieces are both unmarried men and unmarried women. The most beautiful are the roles of grandfather and grandmother. Chess players from all over come to compete high and low. In 1962, Da Hoa Temple was ranked by the state as a National Historical Architectural and Artistic Monument. Source: Hung Yen province electronic information portal
Hung Yen 4051 view
Xich Dang Temple of Literature is located next to the Red River, which is red and heavy with silt all year round, in Lam Son ward, Hung Yen city, Hung Yen province. The reason why the Temple of Literature has such a name is because it was built on the land of Xich Dang village in the 17th century (Late Le Dynasty) on a small initial scale, until the 20th year of Minh Menh (1839), Nguyen Dynasty, was built. It has the current scale on the foundation of Nguyet Duong Pagoda (Xich Dang Pagoda). With more than 400 years of existence, enrolling 161 great scholars, Xich Dang Temple of Literature has demonstrated the studious spirit of people on this land. "First Kinh period, second Pho Hien". In the 17th century, under the reign of King Le Thanh Tong, to revive Confucianism, the court established many schools outside Quoc Tu Giam school in the towns. In Son Nam town (including the provinces of Ha Nam, Nam Dinh, Ninh Binh, Thai Binh and part of Hanoi and Hung Yen) there is Xich Dang literary temple (also known as Son Nam literary temple) built recently. as a place to worship the sages, as well as a place to organize the town's exams. After many changes in the geographical division of the towns under the Later Le, Tay Son, and Nguyen dynasties, Xich Dang literary temple became the literary temple of Upper Son Nam town and later of Hung Yen province. In front of the gate of Xich Dang Temple of Literature are two rice trees that are hundreds of years old, and statues of two large stone pigs carved in the 18th century. The three gates (also known as Nghi Mon gate) of Xich Dang Temple of Literature is one of the works that still retains unique architectural features among the remaining temples in Vietnam. Built in a frilly architecture, two floors with eight roofs and an attic. On both sides of the Tam Quan there are two loudspeaker platforms, used to announce the names of candidates and announce the regulations in the examinations. Instead of the drum tower like in the Quoc Tu Giam and Mao Dien literature temples, in the Xich Dang literature temple, the drum tower is replaced by a bell tower. The sound of the bell and the bell ringing is the signal that the exam has begun and ended, and it is also a call to express gratitude and gratitude to the wise men during each festival. The two bells and bells of the Temple of Literature are also ancient relics cast and created in the 18th century. The inner temple area is structured in the style of Tam: including Tieu Tu, Trung Tu and Hau palace. The roof system is structured in a "real estate" style. The main side faces south. The inside of the inner temple shines with a system of great letters, parallel sentences, hammock doors and a system of pillars and rafters completely painted with gold and covered with metal. The most valuable artifacts in the temple of literature still preserved today are 9 stone steles engraved with the names, hometowns, and positions of 161 people who passed the university entrance exam in the ancient Upper Son Nam town. Of which 138 are in Hung Yen and 23 are in Thai Binh. From the first exams under the Tran Dynasty to the last exams at the end of the Nguyen Dynasty, Hung Yen province had people passing high scores. Every time, there are talented people from Hung Yen who pass the exam to help the country and the people. At Xich Dang Temple of Literature, there are currently two statues of Confucius and Confucian scholars worshiping. Along with that is the statue of the prominent teacher, the first principal of the Quoc Tu Giam Temple of Literature Chu Van An. In 1992, Xich Dang Temple of Literature was ranked as a national historical and cultural relic by the Ministry of Culture, Sports and Tourism. Every year, on the 4th and 5th days of the Lunar New Year, the Temple of Literature holds a festival with activities such as writing the first words of spring, holding ceremonies, offering incense, calligraphy exhibitions, singing ca tru, and gradually restoring old festival again. In addition, during exam season, teenagers and students go to the temple to learn about the studious tradition of their ancestors and burn incense to pray for further development in their studies. Source: Vietnam National Tourism Administration
Hung Yen 3893 view
Phuoc Lam Pagoda is in Thanh Ha Commune, Cam Ha Ward, Hoi An City, Quang Nam Province. According to the history of Dang Trong Buddhism, Phuoc Lam Pagoda was founded by Zen Master Thiet Dinh - Chanh Hien, name An Triem, (1712 - 1796) in the mid-18th century. The pagoda was restored many times in 1822, 1864, 1891, 1909, 1965... There is an epitaph recording the process of restoring the temple. In the 4th year of Duy Tan, Phuoc Lam Pagoda was honored with the Golden Sea of Four Colors, an honor reserved only for private pagodas that have made great contributions to faith and community welfare. The building has unique architecture. The campus of the project is Mon-shaped with 3 main areas: gate, yard and main hall. 1. Three-entrance gate There are 2 side gates on both sides in the East and West and 1 main gate in the middle, both built of bricks. Above the main gate is the inscription "Phuoc Lam Tu" 2. Temple yard The temple grounds are shaded with ancient trees, ornamental plants and flagpoles. Surrounding the yard are screens, the East building (where to receive guests and the monk's residence) and the West building (place of worship). 3. Main hall This is a house with 3 main rooms and 2 side rooms covered with yin and yang roofs, a boat-shaped roof embossed with winding dragons, phoenixes, and unicorns. The main hall is the area where statues of Buddha, statues of Avalokiteśvara Bodhisattva, statues of Mahasthamaprapta Bodhisattva and altars of Tram Trai and Four Heavenly Kings are placed. 4. Ancestral church The ancestral church is a new building built in 1965 right behind the main hall. This is the worship area for the person who founded Phuoc Lam pagoda and the deceased abbots. Currently, Phuoc Lam Pagoda preserves many valuable antiques, typically: delicately carved ancient woodblocks, sets of ancient porcelain bowls, bronze bells, bronze bells, incense burners, wooden boards, and censers. , celadon porcelain bowls, wood-carved Buddhist scriptures...... After more than 200 years of existence, the building is tinged with the moss of time but the value left by Phuoc Lam Pagoda remains forever. Phuoc Lam Pagoda was ranked as a national monument in 1991. Source: Quang Nam Museum
Da Nang 4636 view
The Cantonese Assembly Hall is located at 176 Tran Phu Street, Hoi An City, Quang Nam Province. The Cantonese Assembly Hall is known as an important historical relic of Hoi An ancient town. With Chinese-style architecture. The Cantonese Assembly Hall was built around the end of the 18th century. From the 15th to the 19th century, Hoi An was one of the main trading ports of our country, not only that, it was also visited by many Chinese people. reside, trade and do business. An association of Chinese Guangdong merchants, when coming here, decided to build an assembly hall in 1885. This place became a place of worship and a gathering place for compatriots to meet, regularly helping each other in business. as well as other life needs. The Cantonese Assembly Hall in Hoi An is also known as the Quang Trieu Assembly Hall. Initially worshiping Confucius and Thien Hau Thanh Mau, after 1911 it was converted to worship Tien Hien and Quan Cong. With a unique architecture built in the shape of the national character, from wood and stone materials, the assembly hall is a closed building with three-entrance gate, a large garden decorated with many ornamental plants, in the middle is Phuong communal house, East and West sides of the house, main hall and backyard,... quite similar to other assembly halls in Hoi An. • Triple gate:. There are 3 large paintings of 3 famous mandarins of the Three Kingdoms period: Liu Bei, Truong Phi and Quan Cong. • Pre-electric house:. With a large scale, this place includes elaborately carved stone walls. The roof has many levels, has a soaring shape interspersed with embossed images bearing ancient legends. • Campus of the Assembly Hall:. Including a large garden, with many ornamental trees that are meticulously cared for and pruned. In the middle of the yard there is a large lake, inside is a winding dragon image carved based on the legend. "Ly fish turns into dragon". • Main hall:. With a large space, characterized by large supporting pillars divided into 3 compartments: the middle compartment worships Quan Cong, the remaining two sides worship Phuoc Duc Chanh Than and Thai Bach Tinh Quan. • Left vu, right vu:. To connect the electricity bill with the main hall, both sides also have a left vu and right vu which are simply designed. • Place to welcome guests:. Located to the right of the main hall, it is also the place where important conferences are discussed. • Backyard: The clubhouse's backyard is very spacious with many trees. The highlight is a delicately carved dragon-shaped fountain and a large painting of Quan Van Truong. Currently, the Guangdong Assembly Hall still retains highly valuable ancient relics such as four large horizontal panels, a pair of Chinese celadon porcelain pedestals, a bronze censer up to 1.6 meters high... The most special among That is the painting of Guan Gong riding a horse to protect Liu Bei's wife, solemnly hung on the stone wall at the guild hall. According to the explanation of the Guangdong Assembly Hall, this painting is associated with a real story in Chinese history. In the first lunar month of every year, the Nguyen Tieu festival will be held at the guild hall to pray for a year of good weather, good business, and meetings with fellow countrymen. In addition, on the 24th day of the 6th lunar month, there is also a huge Quan Cong festival to express respect to the talented general. Source: Quang Nam Tourism Newspaper
Da Nang 4164 view
Chuc Thanh Pagoda is located in area 7, Tan An ward, Hoi An, Quang Nam. This is where the Chuc Thanh Zen school of Lam Te Zen was born. With a diverse collection of Buddha statues and unique ancient architecture. Among the famous temples in Hoi An, Chuc Thanh Pagoda is the most sacred and oldest temple in the Quang region. Built in the 17th century by Zen Master Minh Hai. Chuc Thanh Pagoda was built in the triangle architectural style. This is a blend of typical decoration and sculpture of Vietnamese and Chinese culture. This is also the most popular and popular architectural style in temples in Vietnam. The three-entrance gate with its ancient tiled roof and the image of two solemn unicorns, along with the image of three blooming lotus flowers, all create a solemn and sacred space according to Buddhism. The most special part of the temple grounds is the ancient tower with 16 tombs. This is where the remains of Patriarch Minh Hai and many other saints of the sect are stored. In addition, within the temple grounds there are many statues of gods and Buddhas sculpted extremely sophisticatedly and vividly, creating unique experiences when visiting. The main area is built in the middle of the campus, with a strong column truss system. The pagoda's roof is covered with soft, curved yin-yang tiles. At the top of the roof is a pair of dragons facing each other, leaning towards the sun in the middle. Behind the two dragons are two phoenixes flying out and looking back. Next, down to the porch, the temple roof is decorated with patterns, carved with images of Shakyamuni Buddha from birth to death, and at the last corner of the porch are two unicorns standing facing the front. Inside, in the middle space, there is a statue of the Three Worlds at the top, on the lower table is a statue of Maitreya Buddha, on both sides are Ananda, Kasyapa, statues of Bodhisattvas Manjushri and Samantabhadra, and statues of 18 Arhats. On both sides are statues of Ho Phap and Tieu Dien with a height of 1 meter 75 meters. Furthermore, inside the main hall there is also a system of large and small drums, large and small drums, and many parallel horizontal panels. Next to the main hall is the front hall, which has 4 large steles recording the restoration of the pagoda, naming the pagodas and monks who contributed to building the pagoda. The innermost area is the Hau Tam area, the Eastern statue, the Western statue and the To hall. Behind the Main Hall is the Hau Temple worshiping Ksitigarbha, Pho Lien Hoa and Ai So Than. On both sides are the Eastern statue - the residence of the Sangha and the Western statue worshiping incense. Going through an open yard with many precious ornamental plants, you will reach the To Duong. The Ancestral House was built quite simply as a place to place the thrones of the patriarchs and abbots of the pagoda through generations. The system of dragon statues and tablets is also very delicately and elaborately carved, demonstrating the talented hands of ancient artisans. Source: Collection of Quang Nam tourism newspaper
Da Nang 3820 view
Quan Cong Temple (address - 24 Tran Phu Street) is also known as Ong Pagoda, the literal name is Trung Han Cung, built by the Minh Huong people who settled in Hoi An and the Vietnamese together in the mid-17th century. . The temple worships the talented general Quan Van Truong (Quan Vu or Quan Cong), a famous historical figure of the Three Kingdoms period who is very admired. He is one of the "Ten Saints of China" and the "Four Great Three Kingdoms", becoming a model and symbol of Righteousness - Trust - Faithfulness - Courage, and is honored as a Saint. Worshiping Quan Cong aims to admire and praise his kindness and loyalty, so that people can follow his example. Guan Yu is one of the most famous generals in Chinese history. He had many great contributions, defending Han, suppressing Wu, and destroying Wei. Because Hoi An used to be an urban area - a trading port, where trading contracts of Chinese merchants often took place, the Quan Cong temple was built according to their religious needs. The architecture of Quan Cong Temple consists of four buildings, a vestibule, two left and right palaces and a large main hall. The four buildings were built in a script style, stacked in structure, with unique roof tiles and roofs, decorated with elaborate dragon motifs. The main hall has a statue of Quan Cong, dressed in a dragon-embroidered robe embossed with gold, his face is majestic and bright, his eyes looking forward in ecstasy. The main hall also has two statues: Chau Thuong, the brave and loyal servant of Quan Cong, and the statue of Quan Binh's loyal son; with two horses the same height as real horses, on the left is a white horse, on the right is a red horse - a war horse that Quan Cong is very precious about. These statues are exquisitely crafted, demonstrating the skill of ancient craftsmen. In addition, in Quan Cong Temple there are many willow plaques, banners, ordinations, stone steles and ancient artifacts. In particular, the Temple also preserves the ancient poem and fable composed by Xuan Quan Cong Nguyen Nghiem (father of the great poet Nguyen Du) in 1775, when serving as left general of Binh Nam army. in Hoi An; along with two paintings by Uong Si Cu and Nguyen Lenh Tan. Having gone through many ups and downs of history, everything remains intact. It is also a rare historical relic that still exists today, preserving the mark of the Trinh - Nguyen conflict in Dang Trong from the 18th century. Quan Cong Temple was granted the title of National Historical - Cultural Monument on November 29, 1991. Source: Quang Nam Tourism Newspaper
Da Nang 4566 view
Phuoc Kien Assembly Hall or Phuc Kien Hoi An is located at 46 Tran Phu, Cam Chau, Hoi An, Quang Nam. Phuoc Kien Assembly Hall in Hoi An was built in 1690 by people from Fujian (China) who moved to Hoi An to live and create. Previously, the Assembly Hall was built entirely of wood and then in 1757 it was rebuilt with bricks and a tiled roof as it is today. Phuoc Kien Assembly Hall in Hoi An is a place to worship Lady Thien Hau Thanh Mau and the guardian deities of rivers, water, money, children, ancestors and is a meeting place for mutual help of compatriots from all over the world. Fujian, the earliest and most numerous people came to Hoi An. Phuoc Kien Assembly Hall is most crowded on holidays and full moon days. On the days of Nguyen Tieu (January 15 of the lunar calendar), Via Thien Hau (March 23 of the lunar calendar),... every year, many festive activities will take place at the Assembly Hall. The Assembly Hall is built in the style of the letter Tam, with gates, courtyards, small landscapes, and 2 rows of East and West houses, main hall, backyard, and rear hall. Phuoc Kien Assembly Hall was designed and built in Chinese architectural style. The Tam Quan gate bears traces of time, covered with yin and yang tiles and a curved roof. The top is adorned with winding dragons, symbolizing authority and solemnity. With a fairly large campus, decorated with many potted plants and a rockery, outstanding with the image of a carp turning into a dragon. The lobby also has incense wreaths for you to wish health and fortune for your family. In the vestibule there is also a set of stone tables used as a meeting and business discussion place for Fujian merchants. Inside the main house is the place to worship Thien Hau Thanh Mau and the gods protecting rivers, money, children, and ancestors. The Assembly Hall still preserves many valuable artifacts, including: bronze bells, worship statues, bronze drums, incense burners and 14 exquisite horizontal panels... Therefore, this place not only has historical significance but also It also has great cultural value. On the right side of the main hall is also displayed a model of the merchant's boat in distress. This boat was previously used for seafaring and dates from 1875 with many characteristic details. Phuoc Kien Assembly Hall is a place that people worship and is very sacred. Besides, the Assembly Hall also makes a strong impression with its unique and unique Chinese architecture. This is a project containing many historical and cultural values. In 1990, this place was recognized as a national historical and cultural relic. Source: Compiled by Quang Nam Tourism Newspaper
Da Nang 4120 view
Hoi An Covered Bridge is located on Nguyen Thi Minh Khai street, Minh Khai ward, Hoi An ancient town. Covered Bridge was built across a small branch of the Thu Bon river, connecting Nguyen Thi Minh Khai street and Tran Phu street, the main roads of Hoi An ancient town. The main components of the Covered Bridge include 2 parts: the pagoda and the bridge. The pagoda has an area of about 60 square meters and was built to worship Northern Emperor Tran Vo. The bridge has an area of 75m2 and is about 18m long. There is a legend about Covered Bridge that explains why it was divided into two parts. In the 17th century, Japanese merchants pooled money to build a bridge that symbolized the image of a sword piercing the back of the monster Namazu (a monster that often swings its tail to create earthquakes). to be able to control it and keep life peaceful. After a while, a pagoda was built on the northern side of the bridge, so the new bridge was called Chua Cau. In 1719, Lord Nguyen Phuc Chu visited Hoi An and named the bridge "Lai Vien Kieu", meaning "Bridge to welcome guests from afar". In particular, in 1990, Covered Bridge was recognized by the state as a national historical-cultural relic and its image is depicted on Vietnam's current 20,000 VND polymer banknote. The space of the Pagoda on the Bridge is quite small. First-time visitors may be surprised because we still call it the Bridge Pagoda but do not worship any Buddha. The pagoda is located in a small corner on the bridge, with the door built according to Chinese cultural architecture and carved with many sophisticated motifs. In the middle of the pagoda is a statue of Northern Emperor Tran Vo general made of wood, with the desire to pray for peace and tranquility for the surrounding residents. Hoi An Bridge Pagoda was built by Japanese merchants around the 17th century, so you can sometimes hear people call it the Japanese bridge. However, overall, you will clearly feel the three cultural streams of China - Japan - Vietnam skillfully mixed to create the Covered Bridge. The yin-yang style roof is a common feature of ancient houses in Hoi An. Right at the door are two sacred beast statues, a monkey statue and a dog statue, with the meaning of standing and preventing monsters from attacking and entering the Covered Bridge. These statues are made from jackfruit wood with delicate and extremely vivid sculptures, and in front of each statue is an incense burner. The pillars and columns inside the bridge are carved in extremely detailed and sophisticated detail, clearly showing the aesthetics and worship beliefs of the people of the old town in the past. Thanks to that, coming here you can feel the hustle and bustle of the past as well as the worship of the gods, the strong belief in the power of the gods to protect and protect them. overcome difficulties or evil spirits. On February 17, 1990, Covered Bridge was recognized as a National Historical - Cultural Monument. Source: Quang Nam Tourism Newspaper
Da Nang 4045 view
Doan Quy Phi's tomb is located in Chiem Son village, Duy Trinh commune, Duy Xuyen district, Quang Nam province. Queen Hieu Chieu, also known as Concubine Doan, is the Chief Concubine of Lord Nguyen Phuc Lan, and the mother of Lord Nguyen Phuc Tan. She is famous in Dang Trong with the nickname Lady Tam Tang; At that time, she was a famous and benevolent National Mother, helping people develop the profession of reeling and weaving silk. The noble concubine's name is Ngoc, born in 1601 in Dien Chau village, Dong Yen district, Duy Xuyen district. Now it is Duy Trinh commune, Duy Xuyen district and Dien Phuong commune, Dien Ban town. After Lord Sai passed away in 1635, Crown Prince Nguyen Phuc Lan became Lord. Lord Nguyen Phuc Lan decided to move his palace from Phuoc Yen village (Quang Dien) to Kim Long village (Phu Xuan). Doan Thi Ngoc was given the title Doan Quy Phi and her father, Mr. Doan Cong Nhan, was given the title Thach Quan Cong. Although he lived in the royal palace, Doan Quy Phi did not forget his old profession, wholeheartedly encouraged growing mulberries and raising silkworms, weaving silk to grow silk, thanks to which the funeral silkworm industry of Dang Trong developed brilliantly, not only in the villages along the two sides. on the Thu Bon River in her hometown Quang Nam but also in the capital Phu Xuan. Hoi An has become a developed trading port, open to foreign exchanges, in which sugarcane, forest products and especially silk have become the main export items. Later, the people of Dang Trong remembered her gratitude and honored her as the Queen of Silkworms. At the end of his life, it is unclear what year, Doan Quy Phi left the Lord's Palace in Kim Long, Phu Xuan and returned to live in Thanh Chiem Palace, Quang Nam with his children, grandchildren, and relatives in his homeland. The delegation wholeheartedly supported and encouraged the people of Dien Ban and Thang Hoa districts to develop mulberry growing, silkworm rearing, silk reeling, and silk weaving, thanks to which the funeral silkworm industry in Dang Trong was expanded and developed. . Concubine Doan gave birth to three sons, of whom Nguyen Phuc Vo and Nguyen Phuc Quynh both passed away early, son Nguyen Phuc Tan was the second son, and became the Crown Prince, known as Thai Tong Hieu Triet. As for the youngest princess, according to the recollections of Doan clan elders in Chiem Son village, Duy Trinh commune, Duy Xuyen district, she has many different names, but is often called Nguyen Phuc Ngoc Dung and has a birth defect. discounted price with the Grand Master named Minh and also passed away early. When her son Thai Tong, Emperor Phuc Tan, ascended the throne, she was honored as Lady of the Kingdom. Lord Hien Nguyen Phuc Tan buried his mother at Go Coc Hung in Mong Linh canton, about half a kilometer from the mausoleum of Queen Mac Thi Giai, Lord Nguyen Phuc Nguyen's queen, and not far from the tomb of Princess Nguyen Phuc. Ngoc Dung. Lord Nguyen Phuc Tan built Vinh Dien Mausoleum; God also provided five acres of land from the temple in Phu Trang village to use the yield to care for and repair the Mausoleum and the Church. The great flood of Sai Thi Giang occurred in the year Canh Thin 1680 during the reign of Le Hy Tong, the 32nd year of Thai Tong Nguyen Phuc Tan, causing a tornado right in the middle of Dong Yen village, cutting Dong Yen village into two parts, Dong Yen West. and Dong Yen Dong and after this cataclysm, Notre Dame Cathedral was destroyed. In 1744, Lord Nguyen The Tong ascended the throne and posthumously appointed Emperor Nguyen Phuc Lan to Than Tong, and she was also posthumously promoted to Trinh Thuc Tu Tinh Hue concubine. In the 5th year of Gia Long's reign (1806), Emperor The To Cao posthumously honored her as Trinh Thuc Tu Tinh Mau Due Hue Kinh Hieu Chieu, queen, worshiping with Than Tong emperor Nguyen Phuc Lan at Thai Mieu in Phu Xuan, court. 1st on the right. Every year on March 24 of the lunar calendar, people around the region and their clans often hold an incense offering ceremony to commemorate her. Source: Quang Nam province electronic information portal
Da Nang 4412 view
The archaeological historical and architectural artistic relic of Dong Duong Buddhist Monastery (Dong Duong Buddhist Monastery Ruins Area) is located in Dong Duong village, Binh Dinh Bac commune, Thang Binh district, Quang Nam province. Dong Duong Buddhist monastery only really became known when French scientists announced the results of research and excavations. According to the content of the stele found in Dong Duong, in 875 King Indravarman II built a Buddhist monastery and temple to the Bodhisattva protecting the dynasty, Laskmindra Lokesvara Svabhyada. The nature of Mahayana Buddhism is clearly shown through the content of inscriptions as well as sculptures in Dong Duong. During the reign of Indravarman II, the capital of the Champa kingdom was moved from the Panduranga region back to the Amaravati region, with the new name Indrapura. According to some researchers, the location for building the capital Indrapura was the Dong Duong village area today. The capital is located in Dong Duong field, about 2 km2 wide (according to the interpretation of French researchers, Dong Duong means sacred field. The word "Duong" is a variation of the word "Yan" - heaven, sacred. in Cham language). It is a rectangular valley with three sides East, South and West surrounded by high mountains and hills. To the north is Ly Ly stream, the gateway to trade with the outside is arranged very discreetly. The inscription also records the king's piety, saying that in 875, "Due to his belief in Buddhism, the king built a Buddhist monastery (Vihara) and the Laksmindra Lokesvara Svabhayada temple. The inscription also talks about the realm of bliss (svargapura) or the "liberated city" (moksapura), the "residence" of Buddha (Buddhapada). The king emphasized that those who commit crimes must be damned to hell. After construction was completed, the king also donated a lot of land, money, slaves and many other things to Lokesvara. The king advised: After his death, his name was changed to Paramabuddhaloka. All of the above events have proven that King Indravarman II was identified with Buddha in the form of Bodhisattva. Champa Buddhism during this period followed Mahayana. In September 1996, the Vietnam Institute of Archeology, Hanoi National University and Quang Nam - Da Nang Museum coordinated a survey in Dong Duong village. Archaeologists have found that, in addition to the architectural vestiges of the Buddhist monastery, there are not many traces of human residence during the Champa kingdom in Dong Duong village. The climate in Dong Duong village is very harsh, the land is arid, the arable soil layer is only about 40 - 50cm thick, in some places it is only 20cm thick, underneath is laterite layer, this is not a convenient place to build. capital. It can be said that Dong Duong is purely the Buddhist Holy Land of the Champa kingdom, while Indrapura capital must be a larger area, outside the Dong Duong Buddhist monastery. The Buddhist monastery is a large architectural complex nestled within a rectangular citadel wall called the outer citadel, with its long side running in the main East - West direction, measuring about 155m by 326m. The remaining traces of the foundation show that this was a quite large and high wall. The outer citadel contains 3 East-West coaxial architectural clusters and 3 large artificial lakes. There are 2 lakes in the Northeast corner and one in the Southeast corner. Today one has been leveled for farming. In addition, the southeast corner of the outer citadel also has architectural traces of a long building. The outer citadel has two gates, East and West. Currently, traces of the gate are very faint. Inside the Outer Citadel there is the Inner Citadel. The inner citadel surrounds the central temple, including the main tower. The inner citadel also has a special tower called the Well Tower - located in the southwest corner of the inner citadel, which has been buried today. + Main temple area: located in a rectangular area. + East group: only traces of the foundation of the long house remain, which researchers believe is a Buddhist monastery (Vihara). + Middle group: only traces of the base of the walls and steps of a long house along the East-West axis remain. + West group: includes the main temple and surrounding auxiliary towers, this temple belongs to the traditional tower type of Cham architecture; During the discovery and excavation of the Dong Duong Buddhist Monastery Ruins, archaeologists found many valuable artifacts such as: stone statue of Dharma Protector, stone Buddha statue, group of stone Siva statues, statues of Buddha. Bronze Buddha (national treasure - kept at Ho Chi Minh City Museum of History), bronze goddess statue,... Most of the sculptures in Dong Duong are displayed at the Cham Museum in Da Nang. The sculptures in Dong Duong formed a famous artistic style from the middle of the 9th century to the end of the 9th century, called Dong Duong style. Dong Duong is a very unique Buddhist relic site of the Cham kingdom, not only has typical value in Vietnam but is also a rare Buddhist relic in the world during the ancient and medieval periods. Through the remaining artifacts, it reflects the heyday of a royal dynasty, and at the same time brings Cham sculpture to its pinnacle. From a religious perspective, Dong Duong makes a unique contribution to the Buddhist art of humanity, exemplary in its display, in the meaning of worship statues, reliefs, and layouts, and is also rare among Buddhist relics. Ancient religion remains today in Vietnam and Southeast Asia. With particularly typical values, the archaeological historical and architectural artistic relic of Dong Duong Buddhist Institute was ranked by the Prime Minister as a special national monument on December 22, 2016. Source: Department of Cultural Heritage
Da Nang 4426 view
My Son relic site (in Duy Phu commune, Duy Xuyen district, Quang Nam province), is the most famous architectural complex of the Cham people in Vietnam. My Son relic site was built from the late 4th century to the 13th century. On April 29, 1979, the Ministry of Culture and Information recognized My Son as a historical, cultural, architectural and artistic relic. Currently, this place has been included in the list of 23 especially important national monuments by the Prime Minister of Vietnam. Construction began in the 4th century by King Bhadravarman (reigned from 349 to 361) and ended in the late 13th and early 14th centuries under the reign of King Jaya Simhavarman III (Che Man), My Son is a The complex has more than 70 temples and towers with many architectural and sculptural styles representing each historical period of the Champa kingdom. Most of the architectural works and sculptures at My Son are influenced by Hinduism. The temples and towers mostly face the rising sun, the abode of the gods; Except for a few towers facing west or both east and west, expressing the thoughts of the afterlife of deified kings after death and to show nostalgia for their ancestors. Devastated by war, by 1975, My Son had only 32 works left, of which about 20 still retain their original appearance. Unfortunately, the largest project is the 24m high A1 tower, with 6 surrounding sub-towers. This tower is considered a masterpiece of Champa architecture and was destroyed by American bombs at the end of 1969. The main temples in My Son worship a set of Linga or the image of Siva - the protector of the Champa kings. The god worshiped in My Son is Bhadravarman, the king who founded the first king line of the Amaravati region in the 4th century combined with the name Siva, becoming the main religion worshiping the god-king and royal ancestors. After many years of ups and downs and changes in history, today My Son Sanctuary is still a relic with unique cultural, artistic and architectural values of humanity, it is the crystallization of wisdom and talent. flowers of many generations. My Son relic site was officially recognized as a World Cultural Heritage by the UNESCO World Heritage Committee on December 1, 1999. The noticeable highlight here is that the ancient Champa architecture seems to still be intact, such as the statue of Siva, stone steles, mascots and the ancient temple system. After visiting all the sightseeing areas here as well as being introduced to My Son Sanctuary, visitors will experience the culture of the ancient Champa people through art performances such as trumpet playing, dance. Siva's graceful and attractive dances will leave unforgettable impressions. Source: Quang Nam province electronic information portal
Da Nang 4614 view
The ancient town of Hoi An (Quang Nam province) has just been awarded the "Asia's Leading Cultural City Destination" by the World Travel Awards (WTA) for the first time, affirming its attraction. UNESCO world cultural heritage. Formed and developed in the 16th century, Hoi An - an ancient city located on the banks of the romantic Hoai River, in the coastal plain of Quang Nam province, was once one of the busiest international trading ports in the region. . From the 16th century, this was the gathering place for goods of traders from China, Japan, the Netherlands, India, Spain... Therefore, Hoi An is considered a convergence and intersection point. blend of East and West cultures. Up to now, Hoi An has become a famous and indispensable destination in the journey to explore the Central region. The ancient town of Hoi An is famous for its typical architecture of traditional trading ports in Southeast Asia and is still preserved almost intact. Through many ups and downs of history, the flow of time covers Hoi An with a peaceful and quiet beauty. In contrast to the modern city, Hoi An impresses visitors with moss-roofed houses, ancient yellow painted walls and lanterns that make up the Hoi An brand. This coming November 2019, Hoi An Ancient Town will celebrate 20 years of being recognized by UNESCO as a World Cultural Heritage. This place owns a system of 1,360 relics, including 1,068 ancient houses, 11 ancient wells, 38 clan churches, 19 pagodas, 43 temples, 23 communal houses, and 44 special ancient tombs. and an ancient bridge. With unique architecture, each house in Hoi An ensures harmony between living space and nature. Therefore, in addition to arranging the house into many compartments, the yard of the house is paved with stones and decorated with water tanks, rockeries, and ornamental plants, creating an airy and light-filled space. A characteristic feature of the architecture in Hoi An is the streets built in a checkerboard shape, winding along the river and embracing the houses. In each peaceful corner, visitors can easily see street vendors with many famous culinary dishes such as Cao Lau, Quang noodles, banh mi, chicken rice... or shops selling handicraft items. turmeric. It all seems to reflect the simple, slow and soulful life of the people here. Walking in Hoi An, visitors will have the opportunity to visit pagodas that are hundreds of years old (such as Covered Bridge, Phuoc Lam Pagoda, Van Duc Pagoda...), admire the Chinese Assembly Hall buildings with Sophisticated and colorful architecture, immersing yourself in the bustling festival atmosphere with folk games such as singing "Chit song", singing drills, playing Chinese chess... On December 4, 1999, the Hoi An ancient town relic area An has been recognized by UNESCO as a world cultural heritage. By 2009, Hoi An ancient town was ranked by our government as one of Quang Nam's historical relics, recognized as a national historical relic. The "Asia's Leading Cultural City Destination" award is an affirmation and honor of the unique cultural values of the World Cultural Heritage of Hoi An, while also contributing to promoting the image of Hoi An tourism. in particular, Vietnam tourism in general attracts a large number of international tourists. Source: Vietnam National Tourism Administration
Da Nang 4391 view
Ben Tre Museum was established in 1981, located at 146 Hung Vuong Street, An Hoi Ward, Ben Tre City with an area of about 20,000 square meters. The main side of the Museum faces the Ben Tre River with shady ancient trees and many lush, precious ornamental flowers - a poetic, gentle, profound scene filled with charm and attraction; The back side faces Cach Mang Thang Tam street, one of the busiest streets of Ben Tre city. Coming to Ben Tre Museum, you can visit, study, and research locations in this complex: National relic "Colonel Pham Ngoc Thao's residence and activities" (recognized as a National Historical Monument in 2015), the House is the Palace of Counsel (France) - Governor's Palace (USA) was built Following the French architectural style (1876) with solemn and ancient features, this place displays images and artifacts about the history and revolutionary traditions of the province's people during the two resistance wars against the French colonialists and the imperialists. American invasion; display pictures and documents about the intelligence soldier, Colonel Pham Ngoc Thao; Giong Noi Archaeological Relics display. The province's Socio-Economic Achievements Exhibition House (2003): displays images and artifacts in the local economic, cultural and social construction from after April 30, 1975 to the present - this place still exists. is a place to display unique and rich topics in many fields with great achievements of the province. Coconut house (2012): 3-room house built of coconut wood in the style of a Southern rural house. The house is designed in a gentle, spacious way with a strong national character, reflecting the simplicity and soul of the Vietnamese people. Inside the church of Uncle Ho and AHLLVTND, Colonel Pham Ngoc Thao, on the wall are displayed images and artifacts related to Ben Tre coconut trees in the resistance war as well as in cultural activities. The coconut house also organizes exchanges of "Don Ca Tai Tu", "Singing Sac Bua",... on the night of the 30th of each month. Coming here, visitors can feel the peace and warmth while enjoying Ben Tre folk melodies performed by artisans and amateurs. Outdoor display area: includes large-sized cubic objects such as plane wrecks, artillery, bomb casings... collected during the war; Around the campus are interwoven miniature landscapes: rice fields, buffaloes, lotus ponds, coconut bridges,... creating a feeling of closeness and familiarity with visitors. It is one of the red addresses for educating extremely meaningful revolutionary traditions, and is an interesting and attractive tourist destination. Each year, Ben Tre Museum attracts about 40,000 tourists inside and outside the province as well as international tourists to visit, learn, study, entertain, experience, and enjoy cultural heritage and folk art. Ben tre. Ben Tre Museum was recognized as a National Historical Monument on August 28, 2015 by the Ministry of Culture, Sports and Tourism. Source: Ben Tre Tourism
Vinh Long 6652 view
Long Phung Communal House in Long Hoa 2 Hamlet, Long Dinh Commune, Binh Dai District, Ben Tre Province. Long Phung Communal House is the 5th village communal house in Ben Tre province to be ranked as a National Historical, Cultural, Architectural and Artistic Monument, on June 20, 2018. This communal house has a long history, clearly depicting the cultural beliefs and architecture of the ancient Binh Dai land. Long Phung Communal House was first built in 1833, and completed by the end of 1834. Initially, the suspension was built with simple leaves on the banks of the Binh Dai River. At this time, the communal house was not known to many people, only a few households in the area came to burn incense and worship the Thanh Hoang to pray for peace and luck. In the 5th year of Thieu Tri, the communal house was conferred for the first time with two titles: Dai Can National Nam Hai and Bon Canh Tutelary God on November 27, 1845. On December 26, 1845, the communal house was ordained a second time by King Thieu Tri, also including the above two colors. The third phase was on November 8, 1850, Long Phung Communal House received 2 more conferments during the third year of King Tu Duc's reign. In total, the communal house had a total of 6 conferments. According to the concept at that time, ordination was the recognition of the King - Thien Tu for village communal houses worshiping sacred gods. By the end of 1916, a new communal house was built on a larger scale than the old communal house. Most of the architecture remains intact to this day. Long Phung communal house's campus has a total area of 2,580 square meters. In particular, the communal house construction area is about 750m2. The communal house is made up of solid brick walls, a yin-yang tiled roof, a system of columns, rafters, and rafters made of sandalwood, so the colors have been very beautiful for centuries, and the floor is tiled with Chinese tiles. The communal house was built in the traditional pagoda architecture with martial arts and martial arts spaces connected to the main hall. In addition, on the left side connecting the main hall, there is also a guest house area and the master's residence. The entire architectural structure is in the shape of a Dinh letter. Stepping through the communal house gate, there is a large screen, in the middle of the yard is the Than Nong altar and two small temples called Ong Ho (Son Quan) temple and Ngu Hanh temple. The martial arts hall is considered an important place of the communal house. The place is decorated with typical patterns such as: three incense burners, a pair of tortoiseshell cranes, and horizontal panels, including 3 scroll-shaped horizontal panels painted in red and gilded gold. In particular, the crossbeams in the martial arts pavilion are all carved into extremely sophisticated dragon heads, above the heads are quadrangular parallel sentences carved with majestic four-spirits. The main hall of Long Phung Communal House has the largest area. The palace is designed in a 3-compartment, four-pillar style architecture with brick walls, a tiled floor, and a yin-yang tiled roof. The roof of the communal house is decorated with many sharp and lively designs such as dragons playing with clouds, two dragons painting pearls, carp turning into dragons, and turtles carrying pearls. Besides the unique architecture, Long Phung communal house also displays and stores many valuable artifacts such as dragon communal houses, altars, incense burners, column-shaped tureens, coffins, and diaphragms. Among them, the most historical and cultural artifact is the god altar. The altar of Long Phung communal house is carved in three layers, the outside is carved with many patterns in the four sacred and four precious sets. Besides, the communal house also preserves two titles bestowed by King Tu Duc in 1852: the title of Bon Canh Thanh Hoang and the title of Dai Can National Nam Hai four deities. Because some architectural parts of the communal house were eroded, they were restored and rebuilt. However, in general, the communal house still retains its traditional cultural beauty, each line depicts the long-standing beliefs of the land of Binh Dai in particular and Ben Tre in general. Source: Ben Tre Tourism
Vinh Long 4547 view
As one of the earliest communal houses established in Khanh Hoi Dong Hamlet, Tien Thuy commune, Chau Thanh district, Ben Tre province, Tien Thuy communal house is not only a place to worship the village deity but also a testament to cultural and artistic evidence. art and history. The architectural and artistic vestiges dating back to the early 19th century of Tien Thuy Communal House have been confirmed by the Ministry of Culture, Sports and Tourism to be eligible for National Monument ranking. Tien Thuy Communal House is located on the bank of a small branch of Ham Luong River. With a structure in the shape of the word Son (Chinese word), Tien Thuy Communal House was built in a unified, continuous manner in an area of over 1 hectare, including: martial arts house, martial arts hall, main hall, dressing room, kitchen and banquet house. In front there is a screen and 4 temples: Ong Ho, Ngu Hanh, Tho Than, Ba Chua Xu and the Than Nong altar. Tien Thuy communal house was established right after Nguyen Anh fled the Tay Son army, stopping here in 1778. By 1852, the Dinh was approved by King Tu Duc and granted 7 titles. However, because in the past Tien Thuy and Tien Long were in the same village, there were two communal houses called Dinh Ong and Dinh Ba, so in the past 10 years, Dinh Tien Thuy (Dinh Ba) brought 3 conferments to Tien Long Communal. Currently, the Communal House still has 4 conferments to worship the god Cao Cac Quang Do, Thien Y A Na Dien Ngoc Phi, Bon Canh Thanh Hoang and Dai Can National Nam Hai. Tien Thuy Communal House has the architecture of a Xuyen Trinh house, 3 rooms, two wings, yin and yang tiled roof. Still imbued with ancient architecture, typical of 19th century buildings, Tien Thuy Communal House was built initially with simple leaves, then with wood, tiles, ceramics, and porcelain. The communal house has 42 columns made of ironwood and spokes with a width of 90cm to 1m. Columns, trusses, and arm beams are bonded together using the tenon-pin technique and the rafter ends are all carved with patterns. The roof of the communal house is a tower with 4-sided landscape and embossed patterns on the roof, with 2 dragon heads at the 2 corners of the tower. Like many other ancient communal houses, embossed, filigree, engraved, mother-of-pearl, and gilded lacquered sculptures are keenly displayed in the horizontal panels, couplets, bao lam, and votive walls. Many types of flowers, fruits and ornamental birds with Vietnamese folk characteristics are shown here such as apricot blossoms, peonies, pomegranate flowers, lotus flowers, chrysanthemums, bamboos, butterflies, bats, mice, crabs, frogs, unicorns and turtles. -serve... The most unique and elaborate architecture of Tien Thuy Communal House is embossed with two layers of patterns in the boxes and drawers. The inner layer uses filigree like a mesh or honeycomb layer as a foundation for the outer embossed pattern layer. The communal house still retains 14 horizontal panels, 6 blue envelopes, 4 altars, 4 ordinations, 2 pillared tureens, 2 incense burners and many tureens, tablets... Up to now, Tien Thuy Communal House is still a communal house that gathers a large number of people to worship. The communal house has a stage for Boi singing on Ky Yen ceremony and Du Than ceremony on the main river - a unique feature of Tien Thuy communal house. In addition, the communal house also has annual worshiping ceremonies such as the Mountain Opening ceremony, Quan Thanh worshiping, Hung King's death anniversary, Ha Dien and Thuong Dien ceremonies. With the purpose of praying for favorable weather, peace and prosperity in the country, and favorable harvests, thousands of people attend every year. Especially during the Ky Yen festival, people far away from home often gather here to worship and exchange, strengthening the friendship between neighbors. Source: Ben Tre Tourism
Vinh Long 4343 view
Located in Phu Khuong hamlet, Phu Le commune, Ba Tri district, Ben Tre province, Phu Le Communal House was allowed by King Minh Mang to establish a communal house in 1826, on the basis of the wooden leaf communal house built previously. On January 29, 1852, the communal house received the title of king Tu Duc. Amidst the quiet space, the gate of Phu Le communal house appears majestic and outstanding. The communal house is nearly two hundred years old and has been renovated many times but still retains its ancient features. The communal house is hidden among the canopy of ancient trees. When the sun shines, the rays of sunlight creep through the leaves, shining on the brick walls and mossy stone steps, further enhancing the inherent majesty and serenity of the communal house. The terrace and foundation of the communal house are constructed of green stone, with bricks on top. The communal house includes a total of 10 rooms: 6 main rooms attached to the roof and 4 additional rooms arranged in the "Dinh" style, which was also popular in the Mekong Delta in the past. The communal house's pillars are made of ironwood, a rare wood in the Southwest region, 40cm in diameter, and the roof is covered with fish-scale tiles. The communal house includes 6 incense tables, all painted in red and gilded with a very sophisticated dragon, unicorn, and phoenix image following the motif of ancient Vietnamese communal houses and pagodas. In particular, the art of multi-layered carving on wood surrounding the columns in the main hall shows the expert skills of the craftsmen of that day. Legend has it that when building the communal house, the elders in the area invited workers and artisans from Hue to carve these beautiful wooden works. Not only are the conventional images of four sacred animals of ancient Vietnamese culture, but also images of fish and crabs of the Ba Tri sea area - common animals that are also included in the architecture. shaping. The grandeur and majesty of the communal house shows the rich life and cultural richness of the residents of Phu Le in particular and the Ba Tri region in general at the beginning of the last century. Due to war and time, the architectural works and interior decorations (incense burners, scrolls, horizontal panels, screens, sashes, ceremonial items...) have been greatly degraded and damaged. However, the basic parts of the architecture remain intact, undamaged by bombs and bullets, especially the lacquered and gilded wooden sculptures that have been preserved to this day. Phu Le Communal House is the religious center of the resident community, where the villagers entrust their wishes to the god who supports the village, ordained by the state as Tutelary God Bon Canh. In addition to the Tutelary God, the previous sages and later sages who had meritorious achievements in discovering and establishing villages were also brought into the communal house to worship. The difference of Phu Le communal house is that on Tet or the communal house worship festival (Ky Yen ceremony) held on the 18th and 19th of the third lunar month every year, right in front of the communal house, a opera will be held to attract the attention of the crowd. island of people and tourists from all over. On the 9th - 10th day of the 11th lunar month, the communal house holds a ceremony to pray for a good harvest. On January 7, 1993, Phu Le Communal House was recognized by the Ministry of Culture and Information as a national historical and cultural relic. Traveling to Ben Tre, coming to Phu Le, you will also discover the traditional craft village of Phu Le (including weaving and making wine), including the craft of making wine that has existed for a long time. Phu Le sole wine is loved and known by many consumers because the product is delicious, pure, of stable quality, non-toxic and suitable for consumers' taste. Source: Ben Tre Tourism Newspaper
Vinh Long 6431 view
Binh Hoa communal house is located close to provincial road 26, in Binh Ninh hamlet, old Binh Hoa commune, now provincial road 88, hamlet 5A, Giong Trom Town, Giong Trom district, Ben Tre province. Binh Hoa Communal House was first built in 1812. The communal house was built by people from simple materials such as trees, leaves, and bamboo to worship the village's tutelary god. In 1852, Binh Hoa Communal House in Ben Tre was ordained by King Tu Duc. This is a very meaningful ceremony when the gods worshiped in the communal house receive recognition from the king. Since then, the communal house has become more known to the people, they come here to celebrate mass to pray for peace and luck. By 1903, the celebration committee stood up to organize and mobilize people to contribute effort and money to rebuild Ben Tre Binh Hoa Communal House on a larger scale. The construction process took 10 years, from 1903 to 1913, when it was completed. The main material used is four iron wood, the structure is attached with tenons and dowels, absolutely no nails are used. This is a very familiar style of pagoda construction during the Nguyen Dynasty. Although rudimentary, it is still extremely sturdy. On December 25, 1959 of the lunar calendar, a Ngo Quyen police regiment commanded by Le Xuan Khanh came from Ben Tre to station here. They used Binh Hoa communal house as a place to imprison and torture our revolutionary soldiers and compatriots. The Wei army used many brutal and cruel forms of torture. According to some records, the total number of compatriots they captured here, tortured and killed was more than 400 people. The hundred-year-old communal house has witnessed the blood of countless compatriots shed, and is also a historical witness to the crimes of the enemy. By 2012, Binh Hoa communal house was restored by the Department of Culture, Sports and Tourism of Ben Tre province in conjunction with the People's Committee of Giong Trom district. The process of renovating the monument lasted for 1 year, retaining the characteristics of the communal house but expanding its scale and building additional auxiliary works to serve visitors and tourists. When completed, the total area of Binh Hoa communal house is 9,000m2 with main items including: martial arts house, incense burner, main hall, lobby, corridor, back hall, Quan Thanh temple. Currently, Binh Hoa communal house still preserves more than 100 exquisite wooden sculptures including horizontal panels, parallel tureens, bamboo panels, reliefs, and incense burners. Binh Hoa Communal House was ranked as a National Historical, Cultural, Architectural and Artistic Monument on January 7, 1993. Source: Summary of Ben Tre tourism newspaper
Vinh Long 6398 view
Tan Thach Communal House is in Hamlet 9, Tan Thach Commune, Chau Thanh District, Ben Tre Province. Tan Thach communal house was built in 1841, at that time it was called Thach Ho communal house. The communal house was built to worship the village's Thanh Hoang. The structure of the village communal house is in the shape of the letter Tam (三) with three main spaces, Vo Ca, Vo Quy and Main Hall, adjacent to each other. Tan Thach communal house has a campus area of about more than 7,600 square meters. In particular, the area of the communal house is 1,250m2. The communal house was built with traditional architecture, the roof is covered with yin and yang tiles, decorated with familiar images such as two dragons with pearl paintings, carp turning into dragons and eight immortals. The three-entrance gate of Tan Thach Communal House is built of bricks and cement, the roof is tiled, and on the roof are images of two white porcelain dragons. The gate is designed into three doors with the main door in the middle. According to folk beliefs, the main gate is for monks, kings, and mandarins to come to the communal house to offer incense. The side door is for guests from all over, on the left is men, on the right is women. Both sides of the communal house's gate are decorated with unicorns made from blue glazed ceramics in a sitting position. Next to it are two embossed parallel sentences, expressing the wish for peace in the country and people, good weather and wind. The fence around the fence is made of green stone, decorated with bars in the shape of a cone. In front of Tan Thach communal house yard, there is also a large screen of Than Nong made from stone material, about 3 meters high, embossed with a dragon rising and flying. Below is a tiger hidden in patterns of mountains, clouds, and trees. On both sides of the screen are two parallel sentences written in Chinese. "Tiger resides in the mountains and forests in Phu Xa Tac". "Dragon and Moon Palace spans mountains and rivers". On the left side of the screen is a small temple of Son Quan, worshiping the sacred Tiger God. On the right is a temple worshiping the Earth God and the Ha Ba God, who according to folk beliefs is the god who governs the land and rivers. In addition, the temple also worships 3 stones according to the Neak Ta belief of the Khmer people. Vo ca space: This is a space consisting of three rooms and two wings, where activities to build Dai Boi adoration are held on major occasions such as worshiping Ky Yen. Gian Vo Quy: This space consists of five houses and two wings, built in the architectural style of a cross-trinh house with horizontal beams connecting through each column. Gian Vo Quy placed an incense table to worship Buddha, and was also a place to perform sacrificial rituals. Main hall: In front of the main hall is an altar, on the right are two tablets inscribed with: "Nam Hai Cu Toc Ngoc Lan Than" and "Nguyen Thuy Duc". On the left side of the altar are two tablets "Lord of the Holy Motherland" and "Eunuch Bach Ma Moc with Five Directions Worshiping God". The main hall is built in the style of a three-room house with two airy and spacious wings. The middle hall worships the National Patriarch Hung Vuong, next is the worship of President Ho Chi Minh. On the side, there is an altar to worship the Tutelary God with a statue painted in red and gilded with gold, on the left and right sides there are altars of the ancestors and descendants. Former house: Connected to the main hall of Tan Thach communal house is the kitchen (also known as the kitchen). Right next to the tru house is the former house - A place to worship the ancestors who cleared the land and the descendants who contributed to the people and the country. Tan Thach communal house also preserves valuable artifacts such as: 6 decrees of deification were bestowed on Dinh Tan Thach by the Nguyen court. Among them, 4 were conferred under King Thieu Tri (1845), and 2 were conferred under King Tu Duc (1850). 4 sets of exquisite bamboo urns. 7 brass incense burners with beautiful colors. 13 giant horizontal panels are embossed, painted and gilded brilliantly. 13 precious wooden panels, placed on the main pillar in the Vo ca, Vo Quy and Main hall. The artifacts are of different ages, and in some places were damaged during the restoration process. However, in general, all are elaborately carved, demonstrating the talent and skillful hands of generations of artisans at that time. The horizontal panels and parallel sentences praise the merits of the village's Tutelary God, expressing the people's gratitude and admiration for the deeds of the gods. On December 28, 2001, the Ministry of Culture and Information recognized Tan Thach Communal House as a National Historical, Cultural, Architectural and Artistic Monument. Source: Ben Tre province tourism newspaper
Vinh Long 4058 view
Lang Le Bau Co relic site is located in Tan Nhut commune, Binh Chanh district, Ho Chi Minh City. Lang Le Bau Co is associated with the resistance war against the French invasion in 1948 with major battles that went down in history. Lang Le Bau Co relic was recognized as a city-level historical relic in 2003. The reason it is called Lang Le Bau Co relic area is because the name of Lang Le Bau Co relic area was given by local people. The hamlet was established next to the interlaced canals and rivers. Lang Le Bau Co is located inside a large field with many shrimp, crabs, and fish. Along with many species of birds such as mallards, storks, teal, nuthatches, gongs, partridges, herons, and red armpits come to feed here. Therefore, Tan Nhut people call it by the familiar and rustic name Lang Le Bau Co. Lang Le Bau Co relic is considered the gateway to move to the center of Vuon Thom base and attack the enemy headquarters in Saigon. Previously, Lang Le Bau Co relic area was originally a field of overgrown reeds. On April 15, 1948, the French colonialists sent 3 thousand soldiers and many modern weapons to simultaneously attack the Lang Le Bau Co area to destroy the Vuon Thom base. At that time, the revolutionary armed forces in Lang Le - Bau, because of their small force and rudimentary weapons, had the help of local people along with the advantage of terrain. After just over half a day of fighting, it turned to attack, causing the French army to suffer a large number of casualties. The victory at Lang Le Bau Co killed 300 enemies, captured 30 mercenaries, and destroyed many machines, military vehicles, and guns of all kinds of the enemy. However, on our side, there are many officers and soldiers who heroically sacrificed their lives at a very young age. On October 14, 1966, in Lang Le, the Republic of Vietnam Army Ranger Battalion was destroyed by tourist militia. Lang Le Bau Co relic site has great historical significance for the people of Saigon in particular and the whole country in general. Faced with hatred for the French colonialists, Lang Le Bau Co's army and people fought a war of great historical significance that opened the door for our side and the enemy. For our side, the battle opened the door to heroism in a strong resistance position. As for the enemy, they had to retreat into a strategic position and were destroyed. The French colonialists could no longer form a strategy to defeat the Viet Minh. Moreover, at Vuon Thom base, Lang Le Bau Co also took place a determined battle to protect our base and destroy all sabotage plans of the enemy. Lang Le Bau Co relic area, after the Dong Khoi movement in 1960, was also a logistics and springboard for the armed forces to liberate Long An - Saigon - Gia Dinh. To commemorate the sacrifices of our compatriots and soldiers, in 1988 Binh Chanh district built a historical building in Lang Le Bau Co land with an area of 1000m2. Source: Ho Chi Minh City Electronic Information Newspaper
Ho Chi Minh City 13712 view
Tan Hiep Prison, also known as "Tan Hiep Correctional Center", is located in Quarter 6, Tan Tien Ward, Bien Hoa City. Tan Hiep Prison Relic was ranked as a national relic by the Ministry of Culture and Sports on January 15, 1994. Tan Hiep Prison is one of the six largest prisons in South Vietnam and the largest prison in the Southeast region, built in an important military position, northeast of Bien Hoa town. Ahead is National Highway 1; Behind is the North - South railway line. This is an isolated location, convenient for transportation, easy for protecting, guarding, receiving prisoners from other places and transferring prisoners to Con Dao, Phu Quoc... Tan Hiep Prison has an area of 46,520 square meters with 8 prisons, including 5 prisons for communist prisoners and patriots. The prison is surrounded by 4 layers of barbed wire with 9 bunkers, 3 watchtowers with a team of guards and a modern alarm system. It's called "Correctional Center" but inside is actually a gun warehouse, an interrogation and torture room with the most modern tools. Each prison only has an area of nearly 200 square meters but holds 300-400 people, sometimes up to a thousand people. In particular, there are "repentance" rooms and "tiger cages" that are very small and narrow and living conditions are extremely harsh, prisoners live like in a crematorium. The diet was extremely unhygienic. The prison guards bought rotten rice and rotten fish to fertilize the fields, and fried them in oil to feed the prisoners, leading to many people being poisoned. With the determination to escape the imperial prison, return to the Party and the people to continue fighting and liberating the nation, on December 2, 1956, with the agreement of the Eastern Inter-Provincial Party Committee, the soldiers Communists were "detained" in Tan Hiep prison under the direct direction of comrade Nguyen Trong Tam (Bat Tam) - in charge of the prison Party Committee and a number of other comrades who suddenly broke the shackles. was able to free nearly 500 comrades and patriots. This event caused a stir in the Pentagon. America - Diem hastily mobilized both main forces and security forces, civil guards defending the three provinces of Bien Hoa, Ba Ria, Thu Dau Mot and two special forces to encircle and capture the prisoners, but all were defeated. failure. Our comrades and compatriots who escaped from Tan Hiep prison received help and protection from local facilities and returned safely to base. Among the escaped prisoners were comrades: Bay Tam, Hai Thong, Ly Van Sam... who became the core nucleus of the Dong Khoi movement later. In 2001, to partly recreate the crimes of the US - Diem against our comrades and compatriots imprisoned at Tan Hiep prison and describe the entire Tan Hiep uprising on December 2, 1956. , Dong Nai Museum has collected images, documents, and artifacts displayed at the relic and made a model to serve the research and sightseeing needs of all classes of people. Every day, the monument is open to visitors. Source: Dong Nai Electronic Newspaper
Dong Nai 12463 view
Nguyen Huu Canh temple, also known as Binh Kinh communal house, is located on the left bank of Dong Nai river, formerly belonging to Binh Kinh hamlet, Binh Hoanh village, Tran Bien canton, now Nhi Hoa hamlet, Hiep Hoa commune, Bien Hoa city. It was ranked as a national historical relic by the Ministry of Culture, Information, Sports and Tourism on March 25, 1991. Nguyen Huu Canh Temple was built around the end of the 18th century. Initially, the temple was small in scale, with walls made of boards and a yin-yang tile roof, about 400m south of the current temple. Documents say: the temple was first rebuilt in the fourth year of Tu Duc (1851); By 1923, the temple was rebuilt at its current location. Nguyen Huu Canh was born in 1650 in Gia Mieu, Tong Son district, Thanh Hoa province in a family with many famous generals in the dynasty. He was a man of both literature and martial arts, accomplished many great victories and was trusted, loved and respected by Lord Nguyen. In the spring of the year Mau Dan (1698), he obeyed Lord Nguyen's order to invade Dang Trong while it was still very desolate. Arriving in Dong Nai, he set up his headquarters at Cu Lao Pho (now Hiep Hoa commune); took Dong Nai land as Phuoc Long district, built Tran Bien palace, took Saigon land as Tan Binh district, built Phien Tran palace, the land expanded thousands of miles. He recruited immigrants to settle down, organized the administrative apparatus gradually and systematically, encouraged land reclamation, and promoted Cu Lao Pho to develop into one of the busiest and most dynamic port towns throughout the century. 18 and officially annexed the new land of the South into the Dai Viet map. After returning from the invasion of the South, the following year he again served Lord Nguyen Phuc Chu's command to lead an army to suppress King Chan Lap and maintain the southern border region. In April of the year Canh Thin (1700), after completing his mission, on the way back to Rach Gam (Tien Giang), he fell ill and passed away on the 16th day of the 5th lunar month, at the age of 51 years old. On the way to his hometown for burial, his coffin was stopped at the land where he once had his headquarters on Cu Lao Pho so that local people could have the opportunity to say goodbye to him one last time. At the mandarin's communal house, local people built a tomb to remember this event. When hearing the news of Nguyen Huu Canh's death, Lord Nguyen was extremely sorry and conferred on him the title of High-ranking official of the Town Chancellor with the title: Thanh Marquis Ceremony and had his tablet enshrined at the Thai temple. Source: Dong Nai Electronic Newspaper
Dong Nai 10311 view
La Nga Victory Relic (at km 104-112 on Highway 20 to Da Lat, in Phu Ngoc commune, Dinh Quan district) was ranked a national historical relic by the Ministry of Culture on December 12, 1986. To cheer for the Viet Bac victory in the fall-winter of 1947 and also to deal a fatal blow to the enemy, the command board of squad 10 decided to organize a big battle, to show the enemy that the Vietnamese people were , Vietnamese people do not easily submit to any enemy; With a spirit of courage and ingenuity after nearly half a year of preparation, studying the terrain, and choosing a location: at 15:12 on March 1, 1948, the La Nga ambush battle began and ended at 15:12 on March 1, 1948. 15:57 on the same day, in just 45 minutes. The victory of La Nga delighted the people of Dinh Quan in particular and the people of Dong Nai in general. This is a victory that demonstrates the cunning and courage of our army and people, causing the enemy to be stunned and defeated. From this victory, our force grew stronger and stronger, contributing to defeating the enemy's plan to attack quickly and win quickly, forcing them into a passive position. The scenic complex of Chong Rock, Mai Waterfall, La Nga River and La Nga Victory Monument is an interesting tourist complex of Dinh Quan. The amazing beauty of Hon Ba Chong, Da Voi Mountain, Hon Dia, along with the natural pagoda at the foot of the rocky mountain are typical clusters that create a harmonious beauty for the Da Chong scenic area. Dinh Quan Da Chong Complex is also a place that retains traces of prehistoric life. Here, under the stone roofs, along the streams and on the slopes along the valley, many production and daily life tools of the ancients made of stone, bronze and terracotta were discovered. During the 30-year resistance war. Dinh Quan is an important part of War Zone D. Da Chong witnessed the formation, development, stationing, and combat deployment of revolutionary forces. Today, a part of the land of Da Chong Dinh Quan scenic area has been used and built into the Dinh Quan District Cultural and Sports Center. In the near future, Da Chong Dinh Quan scenic area will be invested in and renovated, contributing to making the natural landscape more beautiful and becoming an attractive eco-tourism destination. Source: Dinh Quan District People's Committee
Dong Nai 10275 view
Chot Mat Tower Historical-Cultural Relic, located in Xom Thap hamlet, Tan Phong commune, Tan Bien district, Tay Ninh province, was recognized by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism) as historical - cultural relic on July 23, 1993. Also one of the last three ancient towers remaining in the South of our country. Having undergone many restorations in 1938, 2003 and most recently in 2013. Despite undergoing restorations, the Chot Mat ancient tower relic site has given itself a new look but still remains retains the spirit of ancient architecture. The entire Tower is built of brick and slate with the top of the tower tapering upward, from the ground to the highest point of the tower is estimated to be 10m. In addition, this ancient tower is located on a high mound in the middle of the field, so from a distance it looks like a pen rising gradually. In 2003, the People's Committee of Tay Ninh province decided to approve the investment project to restore, embellish and preserve Chot Mat tower relics and carried out the restoration, restoration, display and opening of the excavation pit in 2003. into use. On November 27, 2019, the Provincial People's Committee issued a Decision regulating the decentralization of management, protection and promotion of the value of historical and cultural relics and scenic spots in Tay Ninh province. Decision to assign the People's Committee of Tan Bien district to directly manage 4 relics, including the National Historical-Cultural relic Thap Chot Mat. In particular, the Chot Mat Tower Historical-Cultural Relic in Tan Phong commune, Tan Bien district was chosen to be part of the tourism development link of Tay Ninh Province. This is a tourist destination worth exploring, contributing to tourism development in Tan Phong commune in particular and Tan Bien district in general. Source: Tay Ninh province electronic information portal
Tay Ninh 9894 view
Hoc Mon District Palace is located at No. 1, Ly Nam De Street, Hoc Mon Town, (next to the District People's Committee headquarters) and is the place where many outstanding fighting events have been recorded throughout the long history from 1885 to the Southern days. Complete liberation of the People of 18 Betel Garden Villages. After defeating Chi Hoa Fort, the French colonialists built a 3-storey wooden house here to use as a military post. When Tran Tu Ca took office as Governor of the Palace, he used the Station as the Palace of Binh Long district. Originally a cunning drunkard of the French colonialists, Tran Tu Ca was led by a group led by Mr. Phan Van Hon (Quan Hon) and Nguyen Van Qua (Chanh Lanh Binh) of nearly 1,000 insurgents who came to burn the District Palace, captured and head cut off in the middle of the market. That was February 8, 1885, At Dau Tet. Afterwards, Hoc Mon District Palace was rebuilt with a blue stone foundation, brick walls, and a defense system from the upper floors to the fence. The architecture is similar to the Military Fort, so the locals call it Hoc Mon Fort. Tran took over from Tran Tu Ca as Governor of Ngon district, moving to Tra District and then Tho District. This was a long period of time when the people of the Hoc Mon region suffered from many cruel and despicable scenes from the French colonialists and their oligarchic henchmen mentioned above. With the indomitable tradition of Hoc Mon people. On June 4, 1930, around 6 a.m. in front of the District Palace, hundreds of Hoc Mon people protested demanding "abolition of poll tax, reduction of license and market taxes, and granting land to poor farmers." Tra District invited the leaders into the Palace to negotiate, but they cunningly arrested them, including Mr. Le Van Uoi (Secretary of Tan Thoi Nhi Commune), who was the leader of the protest. People were undaunted and fiercely demanded that Tea District release those detained. The protest group became more and more crowded, the fighting spirit spread somewhat, causing Tra District to give in. On the one hand, they released the detained people, on the other hand, they called the officials in Saigon for help. 2 hours later, the struggle was led by two men, Blachole and Nobbot, who opened fire on the protest group, causing many casualties. But the most impressive historical event at Hoc Mon District Palace was the Southern Uprising on November 23, 1940. Hoc Mon Fort is very solid, built of green stone like a fortress, about 15 meters high, has a gun emplacement and a defense system with battlements guarded by a platoon of green soldiers. On November 22, 1940, France reinforced one more platoon to deal with the situation. On the afternoon of November 22, 1940, Mr. Do Van Coi's army broke into the town, disguised as civilians, ambushed behind the Station waiting for orders to rob the Station. Another army wing has the task of destroying bridges, cutting down trees blocking roads, and occupying offices and houses... The army wing from Phuoc Vinh An, Tan Thong, Tan An Hoi, Tan Phu Trung is led by Mr. Pham Van Sang and Dang Cong Binh commanded, started from Ben Do hamlet, attacked the house, killed 1 person, collected 4 guns, and took control of the situation here (Tan Phu Trung). Immediately this army was ordered to pull back to Hoc Mon. The Long Tuy Thuong army was commanded by Mr. Bui Van Hoat. The army of General Long Tuy Trung was commanded by Mr. Do Van Day and Le Binh Dang. At around 24:00 on the night of November 22, 1940, the sound of artillery fire had not yet been heard in Saigon. After consulting, the army commanders united to attack the enemy's post. Immediately the troops headed straight to Fort Hoc Mon, where District Chief Bui Ngoc Tho resided. Two insurgents named Nghe and Kinh volunteered to enter the front gate and sacrificed their lives. Insurgents from all directions rushed into the Fort like water bursting its banks. Faced with the power of the insurgents and the masses, the soldiers in the Station no longer had the spirit to resist and fled in disarray. The insurgents completely occupied the inside of the station, but upstairs, the enemy still stubbornly used guns to shoot sporadically, at the same time calling Saigon and Thu Dau Mot for emergency help. Because he was eager to capture the name of Tho District, comrade Do Van Day climbed up to the upper floor of the Station by clinging to the gutter. Halfway up, he was hit by bullets, the comrade fell and died later. The battle was at a standstill when enemy reinforcements arrived. Unable to hold out, the insurgents withdrew from the town, dispersed to the villages, the armed forces withdrew to Ben Do hamlet (Tan Phu Trung) and then moved to My Hanh hamlet (Duc Hoa). Although the attack on Hoc Mon Fort (later called Hoc Mon District Palace) failed, it left a deep impression in the hearts of all civilians admiring the courage of revolutionary soldiers in the fight against colonialism. steal the country. During the historic Ho Chi Minh campaign, at 7:00 a.m. on April 30, 1975, Hoc Mon town was completely liberated, the National flag fluttered above the District Palace, where District Chief Nguyen Nhu Sang and his gang sai has been running away since last night. Today, Hoc Mon District Palace is chosen as the District Museum, where many documents are displayed, illustrating the ups and downs of historical periods as well as the revolutionary fighting spirit of the army and people in Hoc Mon district over the past two years. resistance war against French colonialism and American imperialism. A monument placed in front of the Hoc Mon District Palace relic represents the indomitable sacrifice of the army and people of 18 Betel Garden Villages, recognized as a national historical and cultural relic. Source: Hoc Mon District People's Committee
Ho Chi Minh City 9406 view
During the period when the Mac dynasty had its capital in Cao Bang, in order to prevent the Le dynasty from attacking, the Mac dynasty restored and repaired Na Lu citadel (now in Hoang Tung commune, Hoa An) and Ban Phu citadel (now in Hung Dao commune). ), Phuc Hoa citadel, in addition to building many other citadels in Cao Bang, making Cao Bang a political and military center in the far Northeast border region at that time. Na Lu citadel and Phuc Hoa citadel are two citadels built before. According to the records of Be Huu Cung in Cao Bang Thuc Luc, Na Lu citadel and Phuc Hoa citadel began in the reign of Tang Y Tong in the year Giap Than, the 5th Ham Thong era (874). Based on the presence of many ancient tombs with stone inscriptions containing the names, addresses, and hometowns of the citadel builders who died here during the Ham Thong Dynasty, it can be confirmed that these two citadels were built during the Tang Dynasty. Na Lu Citadel was built over many different dynasties. When the Mac dynasty came to Cao Bang, it was rebuilt with bricks. Na Lu citadel has a nearly rectangular shape, has a total area of about 37.5 hectares, a length of about 800 m, a width of about 600 m, the citadel has 4 gates. Ban Phu citadel in the capital of Nam Binh, Nam Cuong country of Thuc Phan in the past in Cao Binh (Cao Bang), the Mac dynasty renovated the royal palace in the inner circle of the old capital of Nam Binh and called it Ban Phu citadel or Royal Palace. In the ancient capital of Nam Binh of the Nam Cuong country and the Mac dynasty, Ban Phu citadel still has clear traces. The capital city of Nam Binh consists of two citadels, to protect the citadel, the outer ring has a circumference of about 5 km, including a low hillock area, around the foot of the hill is covered with vertical canvas like a wall, convenient for navigation. Build defense lines. The western wall of the citadel runs parallel to the bank of the Bang River to the beginning of Bo Ma village, connecting the southeast wall of the citadel, flowing in front of Ban Phu, following the foot of the hill to meet National Highway 4, the northeastern side running along the foot of the hill close to the outside of National Highway 4. , up to the top of the mound is the northwest side, continue running along the foot of the hill, out to the river bank and meet the west wall, forming a closed citadel. When the Mac Dynasty established the capital, it repaired and built a number of additional works, in which Ban Phu Citadel (inner citadel - the king's working place) was built higher on the old citadel walls from the Thuc Phan period. The citadel is located on a flat land. Along with rebuilding the capital, the Mac dynasty also built a system of posts and ramparts quite thick around the capital and a number of important border points, forming a system of protecting the capital and protecting the border. gender. Phuc Hoa citadel (Phuc Hoa district) was built in a square style, about 400 m in each direction, including two citadel rings, the distance between the two rings is 80 m. Currently, the southern wall has been completely destroyed. Phuc Hoa Citadel has 2 main gates: The North Gate is open to the national highway to Ta Lung Border Gate today, people often call it Pac Gate, this gate is built in a rectangular style, 8 m wide, 5 m high. , including two gates made of thick, very sturdy wood; The second gate is in the south, opening to the river bank. Both gates were flattened long ago, and now there are no traces left. Near the citadel, in the northwest suburbs along the riverbank, there are many traces of brick kilns. People said that during the process of labor and exploration, many intact brick kilns were found in this area. Through research and surveys, it has been shown that in Cao Bang, the Mac dynasty renovated, embellished and built many citadels and fortresses, including repairing, embellishing and rebuilding Ban Phu citadel, Na Lu citadel, and Phuc citadel. Hoa. These fortifications have formed a quite solid system of protecting the capital. Up to now, of the ancient citadels built by the Mac Dynasty during the capital period in Cao Bang, some of the citadels built of earth only have traces left, but the citadels built of stone are still very clear. Source: Cao Bang Electronic Newspaper
Cao Bang 9371 view
The US Embassy relics, also known as the "White House of the East", are the origin of sinister military and political plots aimed at long-term annexation of Vietnam. The relic site is a 5-storey building built Built in modern architecture, located at the corner of Mac Dinh Chi - Le Duan Street, Ben Nghe Ward, District 1, Ho Chi Minh City, on a plot of land nearly 5,000 square meters. Previously, the US embassy was located at 39 Ham Nghi Street. At around 10:00 a.m. on March 30, 1963, the US embassy on Ham Nghi Street was hit with explosives by the F21 Commando team, collapsing three floors: 1, 2, 3, so the US decided to rebuild it. Construction began on the building in 1965, most of the materials and construction machinery were transported from the US, under the control of American engineers. According to the design, the building is surrounded by 7,800 Taredo stones that can withstand mines and artillery shells. The main door is equipped with thick steel, the other doors are blocked by a special thick bulletproof layer. All doors use automatic systems, including iron doors blocking the way to the upper floors. Inside the building there are 140 rooms with 200 staff serving day and night. In addition, next to the building is also built an additional row of houses called the "Norodom" area exclusively for C.I.A. employees. When inaugurated, the building had only 3 floors. At the end of 1966, two more floors and a terrace were built to serve as a landing place for helicopters. Surrounding the building is a 3m high wall, at both ends of the wall close to Le Duan Street, 2 high blockhouses are built, guarded day and night. The Embassy was completed in September 1967 with a defense system such as a fortress with 60 guards, a bomb shelter, and a radar screen system to control the facade. Immediately after the building was completed, on September 24, 1967, thousands of students flocked to the gate of the US Embassy to fight for "America to stop bombing the North", "America to go home" and issued a notice denouncing the US for "trampling and seriously violating the right to self-determination of the Southern people". But the outstanding event that happened at the US Embassy was the battle of the City Rangers during the General Offensive and Uprising in the Spring of 1968. The target of attacking the US Embassy was added on January 24, 1968 by Ngo Thanh. Van is in charge of general affairs. Ranger Team 11 took on this important mission, including captain Ut Nho (military region reconnaissance captain) and soldiers: Bay Truyen, Tuoc, Thanh, Chuc, Tran The Ninh, Chinh, Tai, Van, Duc, Cao Hoai Vinh, Mang, Sau and 2 drivers: Tran Si Hung and Ngo Van Thuan. Another equally humiliating event for the US Embassy was the chaotic escape that occurred on April 29 and 30, 1975 by the US and its accomplices. Faced with the rapid attack of the Vietnamese army and people in the historic Ho Chi Minh campaign, over 1,000 Americans and more than 5,000 pro-American Vietnamese jostled, pushed, and kicked each other to compete for a place on the terrace of the building. building to be rescued by helicopter. This relic was granted a certificate of recognition by the Ministry of Culture on June 25, 1976. Currently, the US Embassy building has been demolished and a new consulate in Ho Chi Minh City has been built, but next to it is a memorial stele forever remembering the achievements of the special forces soldiers who died in the battle. . Source: Ho Chi Minh City Youth Union
Ho Chi Minh City 9273 view
Nga Ba Giong relic is a revolutionary historical relic located in Hamlet 5, Xuan Thoi Thuong commune, Hoc Mon district. Surrounded by three roads: Phan Van Hon, Nguyen Van Bua and Provincial Road 19. Nga Ba Giong relic site is a memorial site for historical events in two wars against foreign invaders. Recognized as a national historical site in 2002. Giong Junction (also fully known as Giong Bang Lang Junction) is located in Xuan Thoi Tay village, part of 18 old betel garden villages formed from 1698 to 1731. For a long time, Giong Junction is a place with a folk name that has entered the history of the hometown of 18 betel garden villages of Hoc Mon - Ba Diem. Legend has it that in the past, this place was a relatively high land and a place where many linden trees grew, so this place got its name from there. After the Southern Uprising (November 23, 1940) failed, the French colonialists increased their repression and fierce terror against the revolutionary movement in the Hoc Mon - Ba Diem region. They set up three shooting ranges in Hoc Mon to kill Party leaders and patriotic comrades from their hometown of Hoc Mon and surrounding areas. Giong intersection is the third shooting range to record the heinous crimes of the French enemy and his henchmen against the people of Hoc Mon. Learning from the experience of 2 previous shooting ranges (1 at the old theater in the center of Hoc Mon District, 1 next to the well behind Hoc Mon Hospital today), they executed public shootings, forcing people to come and watch for the purpose of intimidation. revolutionary spirit of Hoc Mon people. But that firing squad backfired. The Hoc Mon people witnessed with their own eyes the cruelty of the French colonialists and the noble sacrifices of the communist soldiers, so their patriotic fire flared up even more fiercely. . For this third shooting range, they did not dare to build it near the center of the District anymore, but moved it to the Giong Junction area as a desolate, sparsely populated area to avoid people's resistance. Here, they built a shooting range with a solid mound of land 12m long, 2.2m high, in front of which were planted 6 shooting posts, each 1.7m high, the shooting direction facing the field (Ba Tram Lac). In 1941, here they secretly executed many times without letting the people see, hundreds of communist soldiers and patriots were killed by them. With the extremely sacred historical significance of Giong Junction, the place that marked the barbaric crimes of the French invaders, the place that demonstrated the indomitable fighting will and noble sacrifices of our comrades and compatriots later on. the Southern Uprising (November 23, 1940); After the complete liberation of the South (April 30, 1975), Hoc Mon district quickly restored and embellished the Nga Giong Junction revolutionary historical relic site to educate traditional generations of youth. This place has become a tourist attraction and a place to organize traditional festivals during major annual holidays of Hoc Mon district and the city, especially the anniversary of Southern Uprising Day (November 23). Currently, with the consent of the city, the district is renovating and building Giong Junction into "Giong Junction Martyrs' Memorial Area". Source: Hoc Mon electronic information portal
Ho Chi Minh City 9043 view
Mai Xuan Thuong was the leader of the Can Vuong movement against the French at the end of the 19th century in Binh Dinh. Mai Xuan Thuong was born in the year of Canh Than, 1860, died in the year of the Pig, 1887, from Phu Lac village, Phu Phong district, Tuy Vien district, Binh Dinh province (now Phu Lac village, Binh Thanh commune, Tay Son district, Binh Dinh province). His father, Mai Xuan Tin, was the chief father in Cao Bang. His mother, Huynh Thi Nguyet, was the daughter of a noble family in the village. Mai Xuan Thuong is inherently intelligent and eager to learn. At the age of 18 (1878), he passed the Baccalaureate at Binh Dinh Examination School. At the age of 25 (1885), he passed the bachelor's exam. Responding to King Ham Nghi's Can Vuong edict, Mai Xuan Thuong returned to his hometown of Phu Lac, recruited insurgents, set up a base on Sung island to raise the Can Vuong flag against the French, then Mai Xuan Thuong brought his forces to join the army. The insurgent army was led by Dao Doan Dich and was appointed by Dao Doan Dich to the position of Military Salary Officer (in charge of food for the insurgent army). From then until 1887, the Can Vuong movement in Binh Dinh developed strongly and spread to Quang Ngai, Phu Yen... attracting tens of thousands of people from all walks of life to participate. On September 20, 1885, Dao Doan Dich died and assigned all his forces to Mai Xuan Thuong. He chose the Loc Dong mountain area (now in Binh Tuong commune, Tay Son district) as his headquarters and organized a flag worshiping ceremony, calling on scholars, literati, and people to join the movement to fight against the French. During that ceremony, insurgents from many regions in Binh Dinh province agreed to honor him as the Marshal leading the uprising and raised the slogan: "First to kill the left, later to attack the West". In early 1887, the French army under the command of Lieutenant Colonel Cherrean and the royal army led by Tran Ba Loc along with Minister Trira launched a major attack on the headquarters of the Can Vuong movement in Binh Dinh, the battle The fighting between the insurgent forces and the French enemy was extremely fierce, the fight was unequal, and in the end the insurgent force was pushed back. In March 1887, after a fierce battle in Bau Sau (An Nhon town, Binh Dinh province), Mai Xuan Thuong was seriously injured, the insurgents withdrew to Linh Dong secret area. On April 21, 1887, Tran Ba Loc surrounded and captured the Linh Dong secret base and captured a number of insurgents, including Mai Nguyen Soai's mother. On the night of April 30, 1887, Mai Xuan Thuong sent a suicide squad to break into Tran Ba Loc barracks, relieve the captured people, and he and a group of 50 subordinates crossed the mountain into Phu Yen and continued to resist. battle, but when she reached Phu Quy Pass (boundary between Binh Dinh and Phu Yen), she was captured by Tran Ba Loc's ambush and taken to be beheaded at Go Cham (East of Binh Dinh Citadel). The mausoleum of patriot Mai Xuan Thuong is located on a high hill of the Ngang mountain range (in Hoa Son village, Binh Tuong commune, Tay Son district, Binh Dinh province) about 50km northwest of Quy Nhon city; The mausoleum was built on a land area of 1988m2, inaugurated on January 22, 1961. Overall, the mausoleum is designed in the style of an ancient mausoleum, surrounded by low walls. The Lang gate (three gates) is made up of 4 square pillars, the top is tied in the style of a gourd and a vase, bearing the architectural appearance of a communal house or temple gate of the late 19th century. In the middle of the Mausoleum is Mai Xuan Thuong's tomb, rectangular in shape in the East - West direction; At the head of the grave is a stone stele engraved with an inscription recording the biography and career of Mai Xuan Thuong: The relic was ranked at the National level by the Ministry of Culture and Information on April 20, 1995. Source: People's Committee of Tay Son District, Binh Dinh Province
Gia Lai 8983 view
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